Barbadian-Scottish artist Alberta Whittle’s multifaceted practice is preoccupied with developing a personal response to the legacies of the Atlantic slave trade, unpicking its
connections to institutional racism, white supremacy and climate emergency in the present. Against an oppressive political background Whittle aims to foreground hope and engage
with different forms of resistance.

Whittle represented Scotland in the 59th Venice Biennale and is a 2022 recipient of the Paul Hamlyn Awards for Artists. In 2020, she was awarded a Turner Bursary and the Frieze Artist Award, she was the Margaret Tait Award winner for 2018/19.

Whittle recently presented a solo exhibition at the Institute of Contemporary Art, Los Angeles and currently has a major solo presentation on display at the Scottish National Gallery of Modern Art (Modern One), Edinburgh. In early October Whittle opened her first exhibition at The Modern Institute, Osborne Street, Glasgow

— 

As part of the Crafted Selves exhibition, the Scottish premiere of Alberta Whittle’s film The Axe Forgets, But The Tree Remembers screens at The Byre Theatre, St Andrews on Wednesday 17 January, 2024. The film features the stories of the Windrush generation and their descendants. Weaving together the experiences of her own family, stories sourced from Hackney Archives and conversation with the borough’s Windrush residents, Whittle’s film highlights the animosity experienced by those who first migrated from the Caribbean to the UK. Find out more here.